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Monsters in Motion DVD
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Monsters in Motion DVD
  DVD Production with Kenn Rudolph.
 
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Stefan and Kenn invited me to assist with the Monsters in Motion DVD for the 100 Days of Monsters book project. Working closely with Kenn, we created a DVD presentation that lets users access Stefan’s 100 monster videos in a number of intuitive ways, making the experience as much fun as his original dailymonster.com blog.

Editor: Amy Schell
Acquisitions Editor: Megan Patrick
Art Director (HOW Books): Grace Ring
Book Design: Stefan G. Bucher
DVD Interface Design: Kenn Rudolph
DVD Production: Kenn Rudolph, Tim Moraitis

   
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Arroyo Seco:
Route and Place
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Arroyo Seco: Route and Place
  Book design editorial sequencing.
 
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Arroyo Seco: Route and Place is a 60-page book designed and produced in Brad Bartlett's class at Art Center College of Design in Pasadena California during the Spring 2007 Term. The book is a historical article contrasting the modern day state of the Pasadena I-110 Freeway to the original utopic conception as the Arroyo Seco Parkway.

Opening in 1940 as the first ever high-speed, limited access highway in the West, the Arroyo Seco Parkway combined the values of route and place. Both transportation efficiency and aesthetic delight were inseparable goals when the parkway was first built. Evolution of the parkway into a modern day freeway has led to problems by overemphasizing the speed of the route and ignoring maintaining the beauty of place.

The main text is from a Spring 2005 article from California History by Anastasia Loukaitou-Sideris and Robert Gottlieb. Historic photos from the Los Angeles Public Library Photo Archive and University of Southern California Digital Archive, unless otherwise noted. All traffic statistics are from the California History article and are attributed to the California Department of Transportation as the source. All other photos are by Timothy Moraitis, shot in the Spring of 2007.

Designer: Timothy Moraitis
Instructor: Brad Bartlett
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas
Award: Graphis Gold Award 2007

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Intervolve
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Intervolve
  Event conecept and collateral design.
 
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Edison partners with eBay and CalTech to host the Intervolve Climate Change Conference. The focus of the conference is on bringing Scientists, Business Leaders and Politicians together to facilitate real solutions. This conference is hoping to shed new light on the subject with eBay CEO Meg Whitman as conference board chair. Two of the seats on the board will go to graduate students from CalTech to give valuable input in putting the conference together.

Caltech will host the Intervolve Climate Change Conference at the Pasadena campus. Speakers will include scientists, activists, politicians, business leaders and industry professionals. Featured scientist speaker is the Director of Policy Analysis Vicki Arroyo at the Pew Center on Global Climate Change. Featured political speaker is the U.S. Senator of California Barbara Boxer. Featured business leader speaker is the Director of Corporate Responsibility Karen Flanders from the Coca-Cola company.

Designer: Timothy Moraitis
Instructor: Petrula Vrontikis
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas
   
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Adelina
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Adelina
  Typeface design project.
 
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Adelina is an informal upright script designed in admiration of modern italic typefaces. Reference samples include:Ambrose, Bodoni, Cancelleresca Bastarda, Centennial, Didot, English round hand by Bickham, Garamond swash capitals, Iridiumand Typo upright.

Adelina’s letters strive to maintain the restrained thick-thin relationships of modern typefaces, while exhibiting characteristics of italics and scripts. By having a more generous x-height then typical modern typefaces, Adelina is legible at many smaller sizes.

Designer: Timothy Moraitis
Instructors: Doyald Young, Leah Hoffmitz
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas

   
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Navipix
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Navipix
  Product concept and companion web site.
 
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Nikon and National Geographic partner to launch a GPS-enabled camera and companion web site. The camera gives turn-by-turn directions to photos taken with the camera. Integrating fully with National Geographic magazine, each photo in the magazine has a location code so users can get turn-by-turn directions to photos in the magazine.

Navipix also features real-time photo-expedition broadcasting from the camera to the web site. The camera allows users to publish photo-expeditions to the public pages or private pages for friends and family with password protection. The web site shows detailed maps marked with photos so users can follow along from home. National Geographic magazine photos are also published online via photo-expeditions.

Navipix empowers users to become virtual National Geographic corespondents, as the photos they take can be published online.

Designer: Timothy Moraitis
Instructor: Petrula Vrontikis
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas

   
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Fresh Eyes Berlin Exhibition
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Fresh Eyes Berlin Exhibition
  Transdisciplinary studio abroad.
 
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Fresh Eyes Berlin is a 14-week studio design project, in which Berlin is examined as a creative location and translated into a gallery exhibition, particularly aimed at an international audience. Re-defining the designer’s role from a mere problem solver into a proactive opportunity seeker, the team investigated the metropolis in a true 720 degree approach: inspired and coached by a group of Berlin’s leading figures and experts in design and media, science, business and politics.

To view a time-lapse movie of our studio in action and the team setting up the show in Berlin, please click here.

Designer: Timothy Moraitis
Instructors: Rob Ball, Sean Donahue, Heidrun Mumper-Drumm, Thomas Sabel, Ming Tai
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas
   
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Instant Feedback
Film Festival
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Instant Feedback Film Festival
  Event concept and design.
 
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The project is to conceive of an event and produce designed materials in support of the event. My idea is to get Adobe Youth Voices, Sundance Institute and YouTube to combine forces to host the event. Adobe Youth Voices has youth media programs in High Schools across the country, so they will get youth participating in the event. Sundance will provide industry professionals to chair the feedback panels and final judging panels. YouTube will be the conduit for connecting the feedback panel to the participating youth.

Welcome to the Instant Feedback Film Festival
At the Instant Feedback Film Festival, you make the short films and we tell you what we think. A panel of film professionals from the Sundance Institute will review your short film throughout the creative process and give you guidance along the way. With a two-way dialog using the Instant Feedback YouTube channel, getting the advice you want is easy. Open to youth 19 and younger, the panel will be providing feedback during the 2007–2008 school year. On June 18, 2008, the feedback period will end and a new panel will pick the top short films for the festival. The Instant Feedback Film Festival will host screenings, workshops and gala events June 26–28, 2008. Sign-up today on the Web site and get started on your short film project with feedback from the stars.

Designer: Timothy Moraitis
Instructors: Paul Hauge
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas

   
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Work Press
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Work Press
  Publisher concept and identity system.
 
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Specializing in historically significant out-of-print works from the history of graphic design. Work press reproduces books and bound collections of periodicals from the Modernist era dating from 1900–1950. Selected reprints include translation and commentary. Various art movements and historical periods represented include art nouveau, jugenstil, Vienna secession, futurism, expressionism, dada, constructivism, suprematism, de stijl and work related to the bauhaus.

While most of these documents remain locked away in museum collections and restricted libraries, readers are forced to be content with tiny reproductions in art history books. Reprinting the work gives the reader a new opportunity to experience the work as it was intended to be viewed.

Periodicals to reproduce include:
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Mort D’ Arthur
Jugend
Pan
Ver Sacrum
La Cerba
Mertz
Neue Jugend
AIZ
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Broom
Novyi Lef
de Stijl
i10
dada
der dada
Mecano
Bauhaus Journal

Books to reproduce include:
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For the Voice
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The Isms of Art
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Pedagogical Sketchbook
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Point and Line to Plane
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Designer: Timothy Moraitis
Instructor: Meryl Pollen
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas
   
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Lettering and
Logotypes
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Lettering and Logotypes
  Hand-drawn and digitized.
 
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Designer: Timothy Moraitis
Instructors: Leah Hoffmitz, Doyald Young
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas
   
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Worlds Within Worlds
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Worlds Within Worlds
  Exhibition design with poster.
 
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“Worlds within Worlds” is an exhibition proposal sponsored by Art Center in association with the Museum of Jurassic Technology and the Charles Eames Foundation. The exhibition will focus in two different areas: 1. Art works and installations curated by the Museum of Jurassic Technology will be extremely small in size and viewed through peep holes in boxes or on small pedestals located on the floor of the huge South Campus exhibition hall. In some cases visitors will need to get on their hands and knees, like Alice through the Looking Glass, to see some works. 2. Looming above in the large exhibition hall will be still and motion picture images projected on large moving screens hung about the gigantic space. All of these images will come from the Charles Eames archives and will deal with the subject of scale, toys or small objects. A unique aspect of the exhibition will be the disorientation of the viewer/audience as they embrace the tiny works and then must repeatedly come to terms with the gigantic space in which they are being exhibited. At one moment the viewer feels like a giant. The next moment they will feel dwarfed by the exhibit space and the huge projections. As they leave the South Campus, they will be greeted by the outside world where the South Campus resides among many buildings and yet another scale of reality is introduced. This exhibition will attempt to make good use of the huge dimensions of the South Campus exhibit hall as it calls attention to varied forms of art and design.

Designer: Timothy Moraitis
Instructor: Ramone Muñoz
School: Art Center College of Design
Department: Graphic Design
Department Chair: Nik Hafermaas